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Patrick Walsh

I like to move it. Move it.

Holiday Movie Review Roundup: Sweeney Todd, Charlie Wilson's War, The Savages

posted Thursday, 27 December 2007

 
SWEENEY TODD (B+) 

Timothy Spall , Johnny Depp and Sacha Baron Cohen in DreamWorks Pictures' Sweeney Todd: The Demon Barber of Fleet Street

I saw Sweeney Todd in its most recent Broadway run, and left with my mind unblown. Stephen Sondheim's music is more concerned with rhythm than melody, so all of the songs sort of run together and none get lodged in the mind. And the story of "demon barber" Sweeney Todd -- falsely imprisoned man murders half of London for revenge, teams up with woman to bake his victims into pies -- is dark fun but had no business being stretched to three hours. This Sweeney slashes the fat and pours on the blood. It's a total blast.

It's got a nearly perfect cast. I don't know that anyone other than Johnny Depp could have played Todd. Helena Bonham Carter is a bit too timid for her role, but she's got a cracked way with sick lines that brings the movie a lot of humor. Alan Rickman steals the show, as he always does, and should not be denied an Oscar nomination. Hans Gruber, Sheriff of Nottingham, Professor Snape, and now Judge Turpin -- if only every movie could be lucky enough to have Rickman as the bad guy. And Sacha Baron Cohen is hilarious in a far too tiny role as a rival barber. Had anyone other than Burton directed this thing, he or she would have been doing a Burton impression. It's a film he was born to do, and he knocks it out of the park. I'm still not gung ho on the music, but the material could not have led to a finer interpretation. 

CHARLIE WILSON'S WAR (B-)

 Tom Hanks and Philip Seymour Hoffman in Universal Pictures' Charlie Wilson's War

Directed by Mike Nichols, written by Aaron Sorkin, starring Tom Hanks, Julia Roberts, and Philip Seymour Hoffman -- how could it go wrong? Not sure, but Charlie Wilson's War manages to take a thrilling, shocking, funny story and render it fairly dull. Unlike some critics, I'm not upset about the movie brightening the darker edges of the real-life tale -- that's what movies do. Plus, the fact that "Charlie Wilson's War" helped put us in harm's way and certainly contributed to September 11th is not something the film glosses over, if you're paying attention. But Sorkin's script plays like an average first season West Wing episode (or a really great Studio 60 episode, depending on how you look at it). That style worked on TV, but on the big screen it's way too talky and dry. And Nichols' direction is painfully flat, he brings all the visual flair of a Kevin Smith movie.

Hanks' considerable charm carries him, but I didn't buy him as a sleazy Texas womanizer for a minute. Julia Roberts is flat-out bad in her role. She doesn't seem to know the character, and thus the audience never figures her out either. The gusto with which Philip Seymour Hoffman tears shit up in his supporting turn (his introductory scene is a classic) makes everyone else look even more timid. As a satire, it doesn't go far enough. As a comedy, it doesn't go funny enough. As a drama, it's lifeless. I'm being a bit harsh, and the film held my interest for its 90 minutes, but for all the talent on board, this is quite the letdown. 

THE SAVAGES (B) 

 Philip Seymour Hoffman and Laura Linney in Fox Searchlight's The Savages

Speaking of Hoffman, he is outstanding in The Savages as well, and matched scene for scene by the great Laura Linney. For an hour, this tale of two unhappy siblings whose lives are uprooted when their father (Philip Bosco) gets sick and can no longer care for himself is a brilliantly written, directed, and acted film, one of the best of the year. And then it totally loses its way. Minute by minute, I felt my love for the movie trickle away. Maybe writer/director Tamara Jenkins felt that her story wasn't sexy enough, but she devotes a completely unnecessary half hour plus to Linney's romantic adventures. I guess the point was to show us that she's searching for a father figure, but we would have gotten that from one scene with her older boyfriend.

There weren't many more interesting characters this year than those played by Hoffman, Linney, and Bosco. Their story is painful, realistic, and one we don't get to see on film very often. Had Jenkins trusted in those characters and let us engage with them for the full running time, without random subplots, she would have had a moving and funny character study on the level of a previous Linney classic -- You Can Count on Me. Instead we get half a great movie. Better than nothing, but what a shame.

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1. Matt S. left...
Friday, 28 December 2007 1:25 pm

Completely off topic: After meeting Denzel Washington, can you confirm the rumor that he in fact has a weak handshake? Please say yes.


2. rw left...
Friday, 28 December 2007 1:39 pm

Thanks for the reviews, as I must ponder how to spend my entertainment dollars wisely. Mahalo nui loa (google it if you don't know) for the excellent entertainment you've provided all year. Best wishes for success in all that you strive for in the upcoming one.


3. M. Kemper Brown left...
Friday, 28 December 2007 7:23 pm

I think Sweeney Todd was the best movie I saw this year, which was a real surprise. I had a blast throughout. I thought the all of the performances were spot on, it was beautiful to look at, and the tone and pacing were just right. And despite no clear cut 'songs' in the film, i still find myself humming the tunes over a week later.

I liked CWW a little better than you, I think. I bought Tom Hanks and Julia Robert's in their roles. It did fall flat when it went for 'Drama'. When Hanks tearfully says he misses Roberts on the phone, I felt very forced. Overall, though, very funny and very interesting story...plus it had tits!

I saw both films as part of Movie Day--a tradition Mr. Walsh started that I have been participating in since the late nineties. Overall it was a great lineup. Nary a "Dracula 2000" or "Wolfcreek" in the mix for filler. We saw:

Charlie Wilson's War (B+)

I am Legend (B-)

Walk Hard (B+)

Sweeney Todd (A)

Juno (B+)

Not too shabby at all. I wasn't quite drinking the Kool-aid on Juno. It was sweet, funny, and insightful, but the collective critical splooging it has received leaves me a bit baffled. Thoughts?


4. Leah left...
Saturday, 29 December 2007 2:48 am

There's a hole in the world like a great black pit and it's filled with people who are filled with shit! And the vermin of the world inhabit it!


5. Nutsy Fagan left...
Saturday, 29 December 2007 3:48 pm :: http://nutsyfagan.blog-city.com

I have no desire to see Sweeney Todd. I hate movies where everything is nightmarishly black and white and I don't like gore either. I do love Johnny Depp and I am sure he's brilliant as usual. I get a little annoyed that Burton uses HBC for every weirdo role (even if she perfectly looks the part) just because he's squeezing her.

Philip Seymour Hoffman is da bomb. He even made Twister great. He's brilliant and so very underrated. I have to see Savages if only because he's teamed up with Laura Linney who is also brilliant and underrated.

As for Charlie Wilson's War - Hanks, Hoffman and then Julia Roberts???? I'm not having it. I'm so tired of JR getting cast in roles that are so out of her league. The Oscar was a total concession. She should just stick to Runaway Bride and casting directors should follow suit.

Thanks for all the great reviews and Happy New Year.


6. M. Kemper Brown left...
Saturday, 29 December 2007 5:40 pm

Nutsy

To whom is Phillip Seymour Hoffmann underrated? Critics gush over every performance he gives (deservedly so), and he won a fucking oscar. It seems that just about everyone has hopped on the PSH ship. I would consider him one of the most "rated" actors in hollywood (second only to McConnaughey).


7. Nutsy Fagan left...
Sunday, 30 December 2007 4:24 pm :: http://nutsyfagan.blog-city.com

M. Kemper Brown: Easy Tiger!! You're right. I momentarily forgot about the Oscar. Please forgive the transgression. Being an old fart, I'm probably using a mindset a few years old. That is why I read Patrick's blog. It helps bring me back into the current day.


8. Tully Moxness left...
Wednesday, 2 January 2008 1:38 pm :: http://tullymox.blogspot.com

Patrick,

I finally saw Juno and re-read your review and we're in very close agreeement. I liked it but wish Reitman had toned down the initial 'Look at me, I'm a hilarious new script by a hot young pseudonymed writer' issues that damage the first half hour. I hated the first bit of dialogue between Juno and Leah and the weird Rainn Wilson scene, but the film vastly improves later in the story. I also related to Jason Bateman's character a bit too much; I don't think he's as hateful a guy as some have made him out to be, but he's clearly a dunce for the way he handles his revelation to Juno.

SPOILER: I really felt that he did the right thing in the story; he and Vanessa were clearly not a good couple, and even though she's very sweet, she's a total control freak. Their relationship was the 'realest' part of the script; I know so many couples who are really not right for each other but the passive one stays in it while allowing the more dynamic partner to drive their relationship. Vanessa got her man in the end, and I think her ex-husband realized he wasn't ever going to be that.

I am also calling for a moratorium on British Invasion songs on the soundtrack of indie films about quirky teenagers. I've already seen Rushmore a bunch of times. I especially found it odd when Juno's character was so obsessed with 70s punk and none of it ended up on the soundtrack. Using 60s era Kinks tunes in these films is the indie equivalent of using Louis Armstrong songs in those annoying Nora Ephon style RomComs.


9. RØB left...
Monday, 7 January 2008 10:36 am :: http://www.pancakeproductions.net

I bested my personal record for "most movies seen in theatres in one day" yesterday, with four (and I know you've blown this out of the water for years on end), and saw THE SAVAGES third. I think I am a sucker for sentimental stories focusing on, or prominently showcasing, sibling relationships, and THE SAVAGES was no exception. I do agree that it lost focus a little bit, and at times even seemed a little boring, but overall I did love it.

I also saw GONE BABY GONE, THE BOURNE ULTIMATUM (these two at the cheap cash-only theatre with cheap concessions as well and Wehrenberg-logo carpeting even though they aren't a Wehrenberg anymore, which shows movies that've been out for slightly longer), and NO COUNTRY FOR OLD MEN (for the second time). The running times of all four of these movies are within like five minutes of one another, weird.


10. Lilit left...
Monday, 7 January 2008 3:19 pm :: http://www.savetheassistants.com

Hi Patrick,

Love your blog! I'm a freelance writer working on a story about TV assistants and their real life counterparts. I'm trying to find someone who's an NBC page who I can interview for the piece. Would you be interested? If so, you can email me at lilit@lilitinstereo.com. Thanks so much!