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Patrick Walsh

I like to move it. Move it.

100 Favorite Songs #20 - 1

posted Tuesday, 25 July 2006
Saturday was the one year anniversary of this blog. Pretty sweet. It's been a lot of fun, and I love having the opportunity to write every day and actually have it read. I'd like to thank everyone for reading, offering comments and e-mails, and just making this site such a cool part of my day. Which is why what I'm about to say may come as a shock.

I'm dying.

Just kidding. I was trying to decide what to do to commemorate such a special day. I thought about selecting my ten favorite blogs, but there's not much more conceited than choosing your favorite things that...you've written. (That being said, there is a "Greatest Hits" link on the left side of this page that features some favorites). I thought about all kinds of different options, but eventually decided to go the Rolling Stone route and give you a list.

I have selected my 100 Favorite Songs of All Time. This has caused me WAY more trouble than it should have. All I can say is that on any given day, this list might look totally different. I put way too much thought into this stuff, and eventually just had to give up and say "Whatever, it's fine." I realized that being a music critic must be a fairly miserable job. There's only so many different ways to say "I love this song" without sounding like a broken record.

I'm kind of breaking traditional routes here and giving you the Top 20 first and working backwards from there. It's just easier for me to make my choices going backward from #1. There will be another 20 every other weekday on the site until we work back to 100. The only rule here is that no artist can have more than two songs in the countdown, so keep that in mind. I wanted to hopefully bring some stuff you haven't heard to your attention.

And as usual, I'd really love to hear from you. I think you can tell a great deal about someone from his or her favorite songs. It's like that great line in High Fidelity: "It's what you like, not what you are like that's important." I'll show you mine if you show me yours...

MY 100 FAVORITE SONGS #20 - 1


20) "Laid" by James

This is one of the only songs on the list by a band I'm not all that passionate about. But this song is just absolute gold. This guy knew what he was doing, you put the line "She only comes when she's on top" at the beginning of a song, people will stick around. The guitar riff is simple but psycho catchy, the near-yodeling on the chorus is beyond fun to sing, and whoever's idea it was to have those marching band drums come blasting in every 30 seconds was a genius. Just about the only song I know of where the drums is a hook.


19) "Answering Machine" by The Replacements

Just recently, these guys have started to get slight props here and there, but really this band should be up with the Nirvanas and the REMs. An undeniable bunch of songs. This is probably my favorite, even with the annoying answering machine message that plays over the end. It's so desperate and vulnerable and frustrated and great. His courage is up, he knows exactly what he wants to say, he needs someone to talk to, but she won't pick up the damn phone. How do you say 'I miss you' to an answering machine? How indeed.


18) "Ballad of Big Nothing" by Elliott Smith

Made all the more heartbreaking post-suicide, this is one of the saddest songs ever. Pretty cryptic lyrics, and yet they just make perfect sense somehow. You know exactly what he's feeling and what he's saying. A sketch of someone miserable even when watching a parade, this song is about as close as anyone's gotten to setting depression to music.


17)
"Big Brown Eyes" by Old 97s

I declare the Old 97s the most underrated band in music today. No matter how many great albums they make, no matter how many great reviews they get, they never get even slightly famous. As far as the whole alt-country thing goes, they are the best. Great heartsick lyrics, kickass playing. This is probably their finest hour, so fun to sing along with, and I think of the line If that phone don't ring one more time, I'm gonna lose what's left of my mind, every time I find myself staring at my cell. Which is more than I'd care to admit.


16) "Add It Up" by Violent Femmes

Why can't I get just one fuck? That line there is the reason pretty much all lonely teenagers, (all cool lonely teenagers anyway) go through a period of obsession with this band. Acoustic rock that actually rocks, ominous and borderline scary. This album is puberty set to music, and certainly was the soundtrack to that period of my life.


15) "Debaser" by The Pixies

The Pixies really have too many great songs to pick just one, but this was the first I heard, and it had about the same impact as when I lost my virginity. It was just like everything kind of clicked into place. What an insane band, and what an insane song. The bass has never sounded better than it did when played by Kim Deal. You feel that opening in your chest. And I've said it before, but there isn't a sexier voice in the world. That trade-off at the end between Frank Black's demonic screaming and her angelic singing is perfection.


14)
"Lounge Act" by Nirvana

Everything off Nevermind and In Utero is sort of equally powerful and great. But today this is my favorite Nirvana song, a song about jealousy really. I love how absolutely horrifying he makes a relationship sound. And of course they are. Wicked bass line, and dig the howled third verse. He sounds incredibly pissed off, which is of course exactly what you want him to sound like.


13) "Don't Worry, Baby" by The Beach Boys

This song pretty much wrecks me. After the first verse it technically turns into a song about a guy worried about racing his car, but they use that to represent all worries and insecurities that guys have, which is its genius. All these women's magazines think they know what a guy wants to hear from his girlfriend. This is it: Don't worry baby, everything will turn out alright.

Well, that and "Good morning, want a blowjob?"


12) "Don't Look Back In Anger" by Oasis

Owes quite a bit to John Lennon's "Imagine" of course, but blashphemous though it may be to say so, this is a better song. Like all Oasis songs, it doesn't make a great deal of sense, but there aren't many feelings better than a bar singing along to this one. If you're not air drumming when it rolls around to that bombastic drum fill right before the last chorus, you probably don't like music.


11) "Hurt" by Johnny Cash

I was driving around Saint Louis and the local rock station played this song, the first time I had ever heard it. I actually had to pull my car over until it was finished, clenching my steering wheel as the finale with the pounding organ came crashing in, and then take a moment to collect myself. 

I was at the gym when the video came out, probably the finest music video ever made. (NOTE: It lost the VMA that year to Justin Timberlake's "Cry Me A River.") The gym had a row of TVs you could watch while on the treadmill, and every single person, young and old, stopped running and just stood open-mouthed to watch it. I don't think there was a dry eye in the place. It was one of the most affecting moments I've ever had. This song has the same effect as a punch in the stomach, and I don't think there's a more punishing, depressing piece of music on record.


10)
"No Action" by Elvis Costello

I don't want to kiss you, I don't want to touch. I don't want to see you 'cause I don't miss you that much. Nobody writes better "girls suck" songs than Elvis. I could fill this list up with EC, but I'll spare you. All I can say is if you don't own his first four albums, you're missing out on probably the best winning streak in music. This song, which kicks off the frighteningly intense This Year's Model is just incredible, it sounds like the band just drank gallons of coffee and went nuts. Starting a capella and building to a crazed pace, this song is Elvis at his most pissy. I'm not a telephone junkie... love that.


9) "Suspicious Minds" by Elvis Presley

I'm a huge Elvis fan, and this is my favorite of his by a landslide. Like everything else in the top ten, I would call this a "perfect song," and I don't think the man ever sang with more feeling. That chorus, We're caught in a trap, I can't walk out because I love you too much baby, pretty much whittles dysfunctional relationships down to one sentence. If you want a real treat, check out a live version. He usually sang that final chorus about 1,000 times, sounding more desperate and pleading each time.


8) "In Dreams" by Roy Orbison

What a haunting, creepy, beautiful song. This is probably my favorite vocal performance in all of music. Starting at a whisper and building to an anguished scream, this song is just deliciously painful. The finale actually makes me close my eyes and wince. Used to genius effect in David Lynch's Blue Velvet, who really exploited just how unsettling this song is. So much pain here, it's exhausting to listen to.


7) "Surf Wax America" by Weezer

The song that nearly ruined many a car speaker for me growing up. If you're not listening to this song at top volume, driving down a highway with the windows down, screaming at the top of your lungs, then you're not really listening to this song. Absolutely triumphant, and the "LET'S GO!" right before the headbanging fest at the end is probably the rockingest moment in all of rock. Weezer will NEVER be 1/100th this exciting again.


6) "(Don't Go Back to) Rockville" by REM

Much like "Thunder Road," another 'get the hell out of your hometown' song. Essentially a country song, this puts me on my ass every time. First month in New York from Missouri, depressed out of my mind, I saw REM at Madison Square Garden. They played this song and for the first time I felt like I had made the right choice in moving. One of my best musical moments ever.


5) "In My Life" by The Beatles

Pretty much perfect. Why not acknowledge that he's loved other things, other people, had some great experiences? But he loves this person more. Everything about this song is simple, clean, concise, and clear, and it's all the more affecting for it.


4) "Everlong" by Foo Fighters

The best rock song of the past 20 years, this song shuts out everything else for me when it comes on. It's rare you get a song that rocks this hard that is this pretty. One of the best choruses ever written. This song to me is about the moment when you realize that you've reached a peak in your relationship, so in love it's totally fucked you up. You can't help but wonder "if anything could ever be this good again." And it probably can't.


3) "One" by U2

Every time I've heard the opening guitar line to this song over the past 15 years or so, my stomach does a little flip and my heart drops. In simplest terms, I guess this could be called a breakup song, but it could be read any number of ways and could mean so many different things. The lyrics are pretty much exactly what you want to say to the other person when a relationship ends. You gave me nothing, now it's all I got. Jeez. And yet it's bizarrely hopeful. It walks the line between uplifting and totally devastating. (If you want to hear a version that is strictly devastating, check out Johnny Cash's cover. And then sit in your room and weep for a couple days).

I saw U2 in Saint Louis probably a month after September 11th, at that point pretty sick of all the schmaltzy exploitation of that awful day, and they performed this song while a list of names of the dead scrolled behind them. For about two seconds I was against it, and then I found myself crying in public for the first time in my entire life. This is a band that means it, has always meant it, and it shows.

Compare them all you want, Coldplay tries incredibly hard, but will never have anything close to what U2 has effortlessly.


2) "God Only Knows" by The Beach Boys

As beautiful as music gets, it's the perfect love song. The first line is I may not always love you, and in a world where most
love songs are about loving someone forever, it's great to find something so open and honest. God only knows what I'd be without you is a sweet line on the surface, but one filled with a great deal of darkness and pain. It suggests that without the other person you'd probably be a complete disaster, and that's really what love is all about, in my opinion.


1) "Thunder Road" by Bruce Springsteen

It's a town full of losers, and I'm pulling out of here to win!

I really can't see this choice ever leaving my number one spot. This song means everything to me, it's a philosophy, it's a way of life. Every time I move, change cities, try something new with my life, I hear this song in my head. It's like a movie, it's like an opera, it's like a little symphony. You see every line in your mind. Musically, it throws every song structure rule out the window. Incredibly sung, incredibly performed, a masterpiece. What more can I say? Get in the fucking car, Mary!

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1. Denny left...
Tuesday, 25 July 2006 11:51 am

I just wanted to say that your mention of "Surf Wax America" by Weezer.. is the first time Ive thought about it since my A Capella group from SU, Groovestand, performed it. It's a great arrangement and I miss it dearly.. it was the most fun on stage I've ever had. Secondly, we also performed "In My Life" which I also sang in my voice lessons and at my final recital that year when I was a mere 9 years old, my mom, aunt and Dad all cried at my young performance. When my a capella group sings it.. it is always our final anthem. When I go back to 'cuse to visit, or there's a reunion of sorts, they ask former members of the group to get up on stage and sing it with them. It will always be the group's final and more beautiful sounding songs to sing. Oh and at my final Groovestand performance back in senior year 2004, my parents surely cried when we sang it.


2. Flick left...
Tuesday, 25 July 2006 1:15 pm :: http://kaflickastan.blogspot.com

This is a great list. I like this so much better than the type of lists you see in Rolling Stone or VH1, because it's obviously not a list of what "should" be considered the greatest songs because of the hype surrounding them or whatever, but is rather songs you personally think are the best. Better for readers because we might actually learn to appreciate a new song rather than another reminder that "Like a Rolling Stone" changed the world and everyone loves the Beatles.

You also would never see 2 Beach Boy songs and only 1 Beatles song in the top 20. Love it.

P.S. I'm not knocking "Like a Rolling Stone" or The Beatles, they would both be prevelant in my top 10.

P.P.S. As great as "Like a Rolling Stone" is, Dylan's best is "It's Alright Ma (I'm Only Bleeding)"


3. Mike Russo left...
Tuesday, 25 July 2006 3:01 pm

I agree, an excellent list to be sure, although I'd put "One" as my number 1. Of course, I'd also have about 15 U2 songs in my Top 20, so there you go. Never liked "Thunder Road" - I was always a fan of the darkly hopeful "Atlantic City," or "The River," hell I even love "Murder Incorporated" and "I'm on Fire."

GREAT Pick on "Everlong," but as for "Surf Wax America," I wish you would have commented on the true genius of that song - despite being an upbeat surf rock song, it's one of the most depressing songs on the list - literally about a surfer caught in a rip tide and is about to drown (sure it could be something metaphorical, but I always thought Weezer lyrics tend not to work on anything more than a literal level - which is actually a strength).

As for James, they actually have a lot of good songs (Laid is an excellent album), and I've always preferred "Say Something" over the title cut.

No Radiohead? Surely you jest!

Finally, if you want great depressing music, check out Joy Division. Aside from directly influencing many of today's rock bands (Interpol and Editors are the most obvious; She Wants Revenge is a poor rip-off), no band consistently nailed depression at its bleakest (as in no hope).

Their lead singer, Ian Curtis, hanged himself on a coat rack after his extramarital love affair with a 16-year-old Belgian groupie didn't quite pan out. Now that's commitment to the dark nihilist vision they espouse. Check out "Disorder," "New Dawn Fades," "Heart and Soul," "24 Hours," "Atrocity Exhibition," "The Eternal," "Decades" and their one undeniable hit "Love Will Tear Us Apart."

And I realize now that this post is way too long, but that's what happens when you start putting together top 100 music lists.


4. M. Kemper Brown left...
Tuesday, 25 July 2006 3:55 pm

SURF WAX AMERICA is great, probably my favorite off of "blue", but for me THE GOOD LIFE ranks higher. It's (almost) as rockin' as "wax", and it holds a deeper meaning for me. Plus, he uses the word booty.

As for Foo Fighters, EVERLONG has always been a favorite, but recently has dropped on my list in favor of STACKED ACTORS. SA isn't as pretty nor as deep, but, man, does it fuckin' rock my ass off.

You gave me some good ideas for downloads as I am woefully ignorant of the Old 97's, Replacements, and (don't shoot) Elvis Costello. I haven't even fucking heard of James (unless it's got something to do with Rick).


5. Pat left...
Tuesday, 25 July 2006 5:37 pm

"In My Life" is both mine and Tom Schmitz's favorite song, so by average it should be higher on your list.

By the way Rubber Soul is also my favorite album. Tom is too stupid to agree with me.


6. Mike left...
Tuesday, 25 July 2006 10:15 pm

That post by "Pat" earlier, was actually me, as "In My Life" is my favorite song. I think I intended to type "Pat," at the beinging like a letter, but somehow I did that instead. Sorry.


7. Patrick Walsh left...
Wednesday, 26 July 2006 2:21 am

Denny,

This sounds like a pretty kickass a capella group! One question: Did you ever sing the Carmen Sandiego theme? And if so, could I get a recording?

I'll not comment on the name "Groovestand."

Greg,

It seems that every big list of this nature has the same songs in different orders. I was hoping this would be a different take on it, that's why I had the two songs per artist rule.

And I disagree with you on Bob Dylan's best song, as you'll see when the list continues.

Mike Russo,

I can get behind pretty much the entire Springsteen catalog, but did you just casually drop "Murder Incorporated?" That honestly wouldn't make my Top 100 SPRINGSTEEN songs!

I think I did read an interview with Rivers Cuomo stating that "Surf Wax America" was supposed to be some alcoholism metaphor. But that guy's Brian Wilson crazy, so who knows?

"Say Something" isn't fit to shine "Laid"s shoes.

Radiohead will be appearing on this list, I assure you. Don't get too bogged down in where the songs place on the countdown, this is hard for me.

Tried many times, have a couple albums, but never got into Joy Division outside of "Love Will Tear Us Apart." All their stuff sounds like it was recorded in an abandoned medical laboratory. I always preferred New Order, I like depression I can dance to I suppose.

Kemper,

"The Good Life" is incredible, and may well show up on this countdown a bit later. "Surf Wax" just blows me with a little more saliva.

Love "Stacked Actors," of course. It's supposed to be about Courtney Love, which I don't get. She seems like a real sweetheart.

You should definitely check out Old 97s, their best album is "Too Far Too Care," a flawless blend of country and rock. Everything released before that is heavier on the country, everything released after that is heavier on the pop. It's all great. They just came out with a "Best Of" that like most "Best Ofs" makes a lot of mistakes. They also just appeared inexplicably in "The Break-Up," which still doesn't seem to have done anything for their popularity.

The Replacements are amazing, they also just came out with a "Best Of" (with the great title "Don't You Know Who I Think I Was?") that appears to have gotten it right. But if you want to dig deeper, "Let It Be," "Tim," and "Pleased to Meet Me" are their must-haves.

All you need to hear of James is "Laid," depsite what Mike Russo will tell you.

As for Elvis Costello, I'm going to have to devote a whole post to him. I feel pretty comfortable saying he is my favorite recording artist of all time.

Mike,

Number 5 isn't high enough for you?!?!

I would take everything Tom Schmitz says with a grain of salt. Remember, this is the guy who once told me that Stone Temple Pilots is a better band than The Beatles. Seriously.


8. Sonny left...
Wednesday, 26 July 2006 3:08 am :: http://www.sillypipedreams.com

That is a great, great list. So glad to see an Elliott Smith song crack the top 20, as that's pretty much all I've been listening to lately.. ya know, me hating the city I live in, losing my will to live and whatnot. My favorite is probably Between the Bars or Twilight...

I, like Mike Russo, am deeply saddened that a Radiohead song didn't make the list, but I totally hear ya on the difficulty of list-making. I kept changing the "Albums You Should Own" section on my blog every day, then realized no one gave a shit and gave up.


9. Ian Friedman left...
Wednesday, 26 July 2006 9:03 am

Totally agree with Russo. Joy Division need to be up there. "Dead Souls" should be there. NO JAMES BLOUNT! This post harshed my mellow.

"No Radiohead, Surely you Jest" is perhaps one of the funniest things ever written. Way to go Russo. Can I call you the Rooster? Get back to me on that.

Honestly there is not one song on this top 20 that I agree with. However, anyone who can narrow down their top 100 deserves praise.

Ian


10. Patrick Walsh left...
Wednesday, 26 July 2006 9:57 am

Sonny,

Be careful with that Elliott Smith! Couple songs a day is more than enough! Dangerous stuff.

Ian,

I didn't expect you to agree with anything on my list, as I love things that are good and you love the band Tool, making us polar opposites. As I think I told you, I was about 25 minutes into Tool's new single when I realized it wasn't the exact same song as their last single. Zzzzzzz.


11. Flick left...
Wednesday, 26 July 2006 10:54 am :: http://kaflickastan.blogspot.com

Pat,

Re: favorite Dylan song:

PLEEEASE tell me its not "Rainy Day Women #12 & 35".

"Desolation Row" would be good. Or "My Back Pages".

Oh wait, it's "It Ain't Me, Babe" as sung by Johnny Cash, isn't it?

Hurry up and post the next 20! The Dylan tease is killing me! (Surely he'll make your top 40, right?)

Pat/Mike,

You're right about Rubber Soul. Perfect blend of pre- and post- LSD Beatles.


12. Ian Friedman left...
Wednesday, 26 July 2006 1:20 pm

Pat,

Make fun of Tool all you want. I don't care. I am really more upset that we don't have a Chuck Prophet sighting on the first 20 here.

SSSSSSSSollllidddd Gooollllddd, Ian


13. Mike left...
Wednesday, 26 July 2006 6:26 pm

Pat,

I purchased "Laid" on itunes. You owe me 99 cents and my dignity. That also reminds me that you owe me the price of that Fountains of Wayne cd.

Lets make it happen.

Mike


14. Mike left...
Wednesday, 26 July 2006 6:36 pm

Also,

How does the claim: The Rentals "should be up with the Nirvanas and the REMs", make sense when Nirvana is way up on top of my house, and REM is inside of a piece of poop that I just flushed down the toilet? Just curious.

PS. I hate REM. They are the most overrated band outside of the Counting Crows on earth.


15. Patrick Walsh left...
Wednesday, 26 July 2006 8:01 pm

Mike,

One of my favorite things to do is recommend new music to people, but I wrote you off years ago as impossible to please. You like VERY little music, and you like the same music you liked when we met five years ago. Nothing wrong with it, I'm just saying. You have a thing against pop music. So don't buy it.

As for "Laid," I'm sure you downloaded the song, folded your arms across your chest, clicked play and thought to yourself "This better be amazing."

Not the best way to approach music. How can you like anything with that attitude?

Also, I did not claim that The RENTALS should be up with the Nirvanas and the REMs. I claimed that The REPLACEMENTS should be up with them. Maybe that's why you don't like REM, you just assume all bands that start with the letter "R" are one and the same.

And I don't even necessarily mean the REPLACEMENTS should be up with the Nirvanas and REMs in terms of quality, (though they are awesome), I mean in terms of influence. Your precious Kurt Cobain, for example, sounds EXACTLY like Paul Westerberg, lead singer of The Replacements.

And finally, you don't like REM? A band that has been making incredible music for over 20 years? A band that, along with U2, pretty much WAS music through the 80s and early 90s? A band that inspired just about everything good that came after it? What are you basing your opinion on, "Shiny Happy People" alone?

End of discussion. I know all I need to know about your musical taste right there. And you certainly shouldn't have bought a James song if you don't like REM.

You know who did love REM? Like cited them as his favorite band? Kurt Cobain again. Smart man. Dead, but smart.

Also, who's raving about Counting Crows these days? Fans of "Shrek 2?"


16. Mike left...
Wednesday, 26 July 2006 8:50 pm

So are you mailing me a check or just going to pay me in person?

Also I love Michael Jackson and The Beatles, two of the greatest pop acts of all time. Not to mention Nirvana and the Foo Fighters which are also pop rock if you really think about it.

Finally I wasn't insulting the Replacements, as I know nothing about them, but rather using them to insult REM, who I know and hate. Much of this hatred spawns from the CD Monster, but I also have hated basically every single, which sounds the same as the one preceeding it, that they have released.

As for U2 who you breifly mentioned, I am willing to call them overrated as well, as they have written the same song around the same dopey guitar lick(the Edges idiot delay pedal nonsense)for like 30 years now. The one exception to this is the Joshua Tree, where the songs are different, and the delay deal was original. That album is truly great. However it is quickly being buried by the boring 40 year old woman rock that they have put out since September 11th. It appears they feel that if they don't make shitty housewife music then the terrorists have truly won.

This same song idea can work (Example: AC/DC), but that song needs to rock the fuck out of you, like Back in Black does.


17. M. Kemper Brown left...
Thursday, 27 July 2006 1:19 am

Mike, Pat, please stop fighting! Can't you see that it only hurts the childeren! The Childerrrennn! Won't anyone think of the childeren!

By the way, pat. I'm a bit suprised that Bare Naked Ladies didn't crack the top 20. You used to always nut your pants over BREAK YOUR HEART and THE FLAG, if I recall. Both kickass (and thoroughly depressing) tunes.


18. Patrick Walsh left...
Thursday, 27 July 2006 9:43 am

Tastes change, dude. Five years ago I was obsessed with that band, now I can't remember the last time I listened to them. Still, "Break Your Heart" is awesome. Hunsel loved "The Flag," I can give or take it.


19. Patrick Walsh left...
Thursday, 27 July 2006 9:59 am

And Mike,

You love The Beatles? Really taking a stand there. Everyone loves The Beatles. And you love Michael Jackson? When did that happen? You drank Tommy's Kool-Aid didn't you?

I'll give you pop/rock on Foo FIghters, can't stretch that to include Nirvana. Simply having a melody doesn't make you pop. Slayer has melody.

I love "Monster," but understand a lot of people have their problems with it. I would say everything "Automatic for the People" and before is fantastic.

I can't even comment on U2 being overrated. It's insane. The same guitar lick over and over? All their songs sound the same? I can't deal with this so early in the morning. Surely someone on this board will take you to task on that one. I'm thinking it will be Mike Russo. Have they slipped a bit creatively in their old age? Sure, a bit. Almost everyone does. Should it render their earlier work null and void? Of course not.

We can at least agree on AC/DC.


20. Mike Russo left...
Thursday, 27 July 2006 1:50 pm

Awwwwwwwww shit. Someone said something most displeasing about U2. Something about them being "overrated." That is the biggest mountain of preposterous poppycock I have ever heard. The idea that they write the same song over and over again is pure bullshit, a charge I can easily refute with two words: "Achtung" and "Baby."

Okay, so it actually takes more than those two words, but it's what they represent, namely one of the greatest pieces of music ever produced by humanity. I am not joking.

What an amazing record. Achtung Baby was the first record I ever bought. It is still my favorite album of all time 15 years later. This is where all the naysayers are wrong about U2 writing the same song over and over again.

Every song on this album (save for "Until The End of The World," which could have been on Unforgettable Fire) sounds like nothing they've ever done, and even sound different from each other, from the fuzzed-out frenzy of "Zoo Station" (one of the best opening tracks ever, second only to "Where the Streets Have No Name," it sounds like the band is slowly emerging from a cocoon in its new incarnation), to the twisted multi-layered sonics of emotional sado-masochism in "Who's Gonna Ride Your Wild Horses" to the erotic desperation of "One" to the bleak hope of "Acrobat" (the guitar line for that sounds like an approaching sandstorm, especially with the opening chimes) to the the sexual nihilism of "Love is Blindness." I defy you to tell me that any of that stuff sounds like "Pride in The Name of Love" or "With or Without You" or like anything off those respective albums.

Yes, The Edge still uses delay guitar sounds (and to great effect) but it's all layered under Madchester-inspired beats and euro-trash synthesizers. Plus The Edge finally starts soloing again on this record - for one of the greatest guitar solos ever check out "The Fly," proof that you can write a solo with a lot of ideas and movement and still be under a minute in length.

The miracle of it all is that it still doesn't sound dated nearly two decades later - the prospect of nightlife has never seemed so erotic, thrilling and dangerous as it did on this record.

Moreover, gone with this album was the candy-assed purity that was starting to become overbearing in U2's catalog. Bono has a lot of explicit sexual imagery and there is no self-righteous political grandstanding. It's all about personal loneliness, especially when you're with someone, and their work has never been so bleak, challenging or brilliant. "The Sweetest Thing" it ain't.

A lot of people consider Joshua Tree U2's finest work. I call them tourists. If you want to see truly brave work that risked alienating fans (and this album did), and captures the restless experimentalism that characterized U2 at the their prime, those in the know acknowledge this work as U2's finest hour.

If you've never listened to it in its entriety, check it out before you write U2 off. And if you have, listen to it again.


21. Mike Russo left...
Thursday, 27 July 2006 1:56 pm

P.S. Michael Jackson? Seriously, dude. Let me just say I was on the "I hate Michael Jackson, he's a freak" movement long before everybody us got on that bandwagon. I'm talking 1983, when I was 4-years old - yup, ahead of my time.


22. Mike left...
Thursday, 27 July 2006 6:24 pm

I own Achtung Baby, and although I haven't listened to it in a while, I remember being bored.

Bored like I was when I heard descriptions like:

"it sounds like the band is slowly emerging from a cocoon in its new incarnation",

"fuzzed-out frenzy",

Not to mention: "the twisted multi-layered sonics of emotional sado-masochism", "erotic desperation",

"guitar line for that sounds like an approaching sandstorm"

And most especially: "sexual nihilism"

If I ever wrote any of that, I would stop masturbating to the sound of slaughtered animals, and shoot myself in the head through the beret I was wearing. Please, Jesus, tell me you were joking when you wrote that.

Seriously, if I was in a band, and made a CD, and a review came out worded like this I would stop making music and destroy the creative center of my brain. Unless I was in Tool and then I would probably appreciate it.

Wow is all I have to say.


23. RØB left...
Friday, 28 July 2006 3:22 pm :: http://www.pancakeproductions.net

Riiiiight...but back to Pat's list, interesting that, as powerful as it might be, you chose a cover to represent yer highest-ranked Johnny Cash number. Also, it's funny FLICK chose the same two Dylan tunes I chose in a comment elsewhere (as favorites), hah.


24. JJ left...
Friday, 28 July 2006 9:15 pm

PW, good list - U2 is great. (Guess you and I will always disagree about DMB – but that’s cool)

Side note: I had a similar "high school @ the office moment" yesterday. A coworker told my manager that I was 'on the Internet all the time.’ I explained to my manager that I do not own an Ipod (like everyone else in my dept) so I listen to talk-radio / music via the Internet.

Aarrrgh... that f'n rat-fink punk.


25. Patrick Walsh left...
Thursday, 3 August 2006 12:25 pm

JJ,

What the fuck is wrong with people? Seriously! It's a nation of snitches and crybabies and tattletales!

Punch him in the throat!